Comment on the treatment of nature in Wordsworth’s “Tintern Abbey.”

Comment on the treatment of nature in Wordsworth’s “Tintern Abbey.”

Introduction: Nature was a living soul to Wordsworth (1770-1750). Wordsworth’s observation of nature is different from John Keats who observes nature with physical and sensuous beauty. But Wordsworth observes nature with spiritual communion. The poem “Tintern Abbey” is a record of Woodsworth’s profound and consecrate relationship with nature.

Sensuous beauty of nature

At the outset of the poem, Wordsworth mentions long lapse of time. Five years ago, on July 13, 1793, the poet came to Tintern on the bank of the river Wey. After five years, he has again come here with his all-time mate Dorothy. On the first visit, the poet’s love for nature was sensuous only. He could feel nature and natural beauty with his senses like his sister Dorothy.

The sounding cataract

Haunted me like a passion: …….

An appetite; a feeling and a love,

But now on the second visit, the animal pleasure has gone and the poet can mark the lapse of time which has brought a great change in his thoughts and philosophy.

Philosophic speculation of nature

The poet starts to describe his spiritual development and philosophic thought as to nature after a very beautiful sensuous pleasure of nature. He also declares that he is not dissatisfied and frustrated because of the absence of sensual pleasure of nature within himself. Rather he is glad and elegant now by the supreme gifts of nature.

Faint I, nor mourn nor murmur; other gifts

Have followed; for such loss, I would believe,

Abundant recompense.

The philosophic speculation of nature expressed in the poem can be appreciated in the following way:

  1. Great source of knowledge: Nature is a great source of knowledge and thoughts to Wordsworth. He thinks of nature as all in all that is why he asserts:

The anchor of my purest thoughts, the nurse,

The guide, the guardian of my heart, and soul

Of all my moral being.

  1. Bearer of the sad song of humanity: At the philosophic stage, nature is now deeper to the poet. He can hear the “Sad music of humanity” in close contact with nature. Contemplation over human misery has purified and humanized his soul. Thus, he finds an eternal bond with nature and man.
  2. Repository of healing power: Now nature is the repository of healing power to Wordsworth. The poet is indebted to nature a lot because the memories of nature soothe him in loneliness and chaotic modern city life.

“In lonely rooms, and mid the din

Of town and cities, I have owed to them”

  1. The loyalty of nature: In the last segment of the poem, the poet has given a glowing tribute to his sister Dorothy and earnestly requests her to go in close to nature because-

“Nature never did betray

The heart that loved her”

The poet has here glorified nature as the true friend of human beings. In our real, we may be cheated by our hypocritical comrades but nature always provides us with thoughts and knowledge.

Read More: Blake’s use of symbolism.

Mystic concept of nature:

As a poet of nature, Wordsworth is deeply mystic. He believes that a divine spirit penetrates through all objects of nature. As a true pantheist, he has said too that all is God and God is all. His acclaimed poem “Tintern Abbey” is not devoid of this mystic concept. In this poem, he says:

“And I have felt

A presence that disturbs me with joy

Of elevated thoughts; a sense sublime

………………………. of man.”

Thus, according to Wordsworth, there is a pre-arranged harmony between the spirit of nature and the mind of man since nature purely teaches and educates human beings.

Conclusion: Now, therefore, it can be terminated that “Tintern Abbey” records the development of the thought Wordsworth towards nature. The flawless noble beauty of the poem sums up Wordsworth’s philosophy of nature and also proves that Wordsworth is a perfect poet of nature.

Read More: Comment on Blake’s treatment of childhood with reference to his poems.

Mottaleb Hossain
Mottaleb Hossain

This is Motaleb Hossain, working on studying, a researcher on English literature and Theology.

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